Kevin Nash has some idea of how WWE should shoot their programming.
Big Sexy spoke about this subject on the latest edition of his Kliq This podcast, where he reveals what changes he would make and how it could help give the audience a much more unique experience. Highlights from the episode can be found below.
How he would change the production quality and shoot the show more like the Larry Sanders show:
Production quality. I would have less house shows. They’ve already shown for a fact, during COVID that it was more profitable for them not to do live events. So come in on Sunday, and have a call sheet and shoot, you know, have the crew come in Saturday, and get all the locations in the building for all the shots, have a call sheet, come in and shoot two and three camera shots that that production crew could definitely edit and install on Monday. Instead of everything being shot with a single camera and give it a completely different look. Then, like I’ve always wanted to do, shoot the show like The Larry Sanders Show. When it’s in the ring, it has that hard camera.
How the Point of View of characters change rather than following a single camera:
That’s what I would do, then that way they’re the camera doesn’t go back and forth, which tells you it’s a camera. It’s the POV that goes back and forth, and tells you, ‘I’m watching a televised show.’ This is part — It’s the only thing you watch that’s trying to convey any kind of a story that is shot with a single camera.
(H/T and transcribed by Fightful)
